The Trinity Buoy Wharf Working Drawing Award 2024 is open to drawing practitioners worldwide, and aims to explore and promote the role of drawing within architecture, design, and making processes. As a special category of the overall Trinity Buoy Wharf Drawing Prize exhibition, it has a separate online Entry Process and Selection Panel, more information on how to enter can be found here. The deadline for registration of entries is Thursday 19 June at 5pm. 

The Working Drawing Award aims to explore, expand and enhance our knowledge and understanding of working drawings today. It is anticipated that architects, designers, engineers, makers, planners, and scientists, amongst others, who use drawings to ideate, to plan and propose concepts, to communicate ideas and designs, and who make drawings from which something can or will be made, fabricated or constructed, will submit their drawings. For this Working Drawing Award, a working drawing is broadly understood to be a drawing from which something else can or will be made; a drawing that illustrates and explains an idea as part of a process towards making, production or construction; a drawing that facilitates or documents the development of an idea; a drawing that demonstrates notation or ideation; or that forms a drawn instruction to a maker.

It is anticipated that drawings for architecture, design, engineering, and other disciplines that involve construction and making as well as within some art practices, will be submitted for this award and exhibition, and that we will receive submissions of notational and planning drawings, drawings that relate to ideation, sketches, detail drawings, assembly drawings, and other kinds of working drawings that represent design, planning, and the communication of designs and ideas to others. The Working Drawing Award will be presented alongside the Trinity Buoy Wharf Drawing Prize 2024 exhibition in October 2024. We want to explore what a working drawing is today - please join us in exploring this!

Applications for the Working Drawing Award are by online submission only. Up to three drawings may be registered by each applicant for consideration by the Working Drawing Award Selection Panel. All eligible drawing practitioners are invited to submit their entries. Drawing will be selected via an online selection process only, and are then to sent to a Collection Centre in July so that we can prepare the exhibition, the publication and education materials, and select the award-winner, prior to the exhibition opening and the awards announcement on Wednesday 3 October. The exhibition will be held at Trinity Buoy Wharf in London from 4-18 October 2024 prior to touring until August 2025.

The distinguished Selection Panel for the Trinity Buoy Wharf Working Drawing Award 2024 will be: Ben Derbyshire, Andrew Grant, and Caroline Grewar. 

     TBW Working Drawing Award 2024 Selectors (L-R): Ben Derbyshire, Andrew Grant, Caroline Grewar

Ben Derbyshire is non-executive Chair of HTA Design LLP, a leading multidisciplinary design practice specialising in housing and placemaking. He has a long association with the practice, having first joined as a student in 1973, becoming a partner in 1986. He led a management buyout in 2013 since when the practice has grown five-fold, now employing 250 people in four studios across the UK. He is a Commissioner of Historic England. He serves on the London Advisory Committee, High Streets Heritage Action Zone Board and is chair of the Historic Places Panel. Ben is President of the London Forum of Amenity and Civic Societies and is a current member of the NHBC Council. He was President of RIBA from 2017 – 2019 where he oversaw fundamental change in the financing and governance of the institute and the instigation of policies in relation to climate action, professional competence and codes of conduct. Ben has published widely in research on housing, for example relating to the performance rating of homes and strategies for suburban intensification through collective action of neighbours, known as Supurbia. He has summarised his long career as a housing designer in a book, Home Truths, published by Hatch Editions and available from RIBA Books in January 2023, effectively a primer for anyone with an interest in the planning and design of sustainable places.

Andrew Grant RDI, Hon D.Litt, CMLI, Hon FRIBA, FRSA is Founder and Director, Grant Associates. Andrew is a Landscape Architect whose work explores the connection between people and nature. He started his company, Grant Associates, in 1997 which has grown into an international design studio with offices in Bath and Singapore. He uses creative ecological design thinking to find solutions to the major challenges of climate change, biodiversity loss and improving human quality of life, health and well being. Each of his projects responds to the place, its inherent ecology and its people and promotes quality and innovation in landscape design. In 2012 he was awarded the title of RSA Royal Designer for Industry in recognition of his pioneering global work in landscape architecture such as the multi award winning Gardens by the Bay in Singapore. The 54 hectare park explores the technical boundaries of landscape and horticulture in an Asian city and won the Building Project of the Year Award at the 2012 World Architecture Festival. He is a Visiting Professor at the University of Sheffield, an Honorary Fellow of the RIBA and a member of the National Infrastructure Commission Design Group. Based in the city of Bath he is Chair of the Bathscape Landscape Partnership and a member of the Bath World Heritage Site Advisory Board. He is also co-founder of the pop up festival Forest of Imagination which engages the wider community of Bath in the reimagining of city spaces and our relationship with nature in the city. In 2023 he was awarded an Honorary Doctorate of Letters by Bath Spa University in recognition of his outstanding work as a landscape architect and his passion and approach to nature, creativity and imagination.

Caroline Grewar is Director of Programme at V&A Dundee. In this role Caroline is responsible for the strategic leadership of the public programme, which builds upon the vision for V&A Dundee and fulfils the museum’s mission and objectives. Caroline has worked in the culture sector for almost twenty years, beginning her career at the British Institute of Florence in Italy. In 2006, Caroline joined V&A South Kensington where she worked across capital projects, major exhibition delivery, and international touring exhibitions. Before joining V&A Dundee, Caroline was Head of Exhibitions at the Design Museum where she worked with Zaha Hadid Architects, Barber Osgerby and Sir Paul Smith.

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The International Call for Entries for the Trinity Buoy Wharf Drawing Prize 2024 is now open for all drawing practitioners to submit their work for the exhibition and awards. Widely considered to be the most prestigious annual open exhibition for drawing in the UK, the Trinity Buoy Wharf Drawing Prize presents an exceptionally wide range of current drawing practices, demonstrating the depth and breadth of drawing internationally. 

The International Call for Entries is open to all drawing practitioners worldwide, whether they are emerging, mid-career or established. The exhibition is selected from artworks submitted to Collection Centres located across the UK. The appointed Selection Panel will choose in the region of 90 drawings for the Trinity Buoy Wharf Drawing Prize 2024 Exhibition, and Awards of a First Prize of £8,000, Second Prize of £5,000 and Student Award of £2,000.

All applicants for the Trinity Buoy Wharf Drawing Prize 2024 must register their entry via the ArtOpps portal by 5pm on 12 June 2024.  Drawings are then submitted via a Collection Centre in the UK on specified dates with all entries are seen by the Selection Panel 'in the real'. Information about how to submit work is set out on the entry portal. 

The Exhibition Launch & Awards Announcements will take place on Wednesday 2 October 2024 at Trinity Buoy Wharf in London. The exhibition will open to the public from Thursday 3 October to Wednesday 16 October 2024 and will then tour until July 2025. Accompanying the exhibition will be a fully illustrated Exhibition Publication and an Education Pack. A Drawing Symposium will be held on Thursday 3 October 2024.

The distinguished Selection Panel for the Trinity Buoy Wharf Drawing Prize 2024 will be: Mary Evans, Artist & Director of UCL Slade School of Fine Art, Gary Sangster, Curator & Co-Director of Drawing Projects UK, and Jennifer Scott, Director of Dulwich Picture Gallery. 

Trinity Buoy Wharf Drawing Prize 2024 Selectors (L-R): Mary Evans, Gary Sangster, Jennifer Scott

Mary Evans is an artist with a national and international reputation. Having studied at Goldsmiths and the Rijksakademie in Amsterdam, Evans’s practice is centred on the social, political, geographical and historical frameworks of Diaspora, migration, global mobility and exchange. This cross-cultural discourse is paralleled by a secondary discourse that links methods of image production, ’fine art’ and ‘craft’, decoration, and ornament. In her practice Evans uses brown kraft paper and other disposable materials to interrogate sites, stories, place and belonging often in the form of large-scale site and research responsive installations in an enquiry that explores the power relationships between Africa and Europe while moving across the real and imagined, mapping the ephemeral and un-mappable. The silhouette, a well-known European visual device is utilised to make the Black body visible as a site for historical and contemporary narratives of resilience, mobility, geography, and memory.Recently appointed as the Director of Fine Art at the Slade School of Fine Art, UCL, Evans was the BA Fine Art course leader at Chelsea College of Arts. As an educator, Evans is invested in challenging barriers to education and widening access to the arts. Evans has taken part in several exhibitions, commissions and residencies in the UK and Internationally including 3rd Guangzhou Triennial, Guangzhou China (2008); Meditations, Baltimore Museum of Art USA (2008); Smithsonian Artist Research Fellowship, National Museum of African Art, Washington DC, USA (2010); The Arts & Literary Arts Residency,Rockefeller Foundation, Bellagio Italy (2014); Still the Barbarians EVA International, Limerick Ireland (2016); Lagos Photo, Lagos Nigeria (2018); 11 Biennial Do Mercosul – Porto Alegre, Brazil (2018); Layers - La Banque Arts Centre, Bethune France (2019); Paper Routes:Women to Watch 2020, NMWA USA (2020); Breathe, META Open Arts, London (2022); Gilt, Zeitz MOCCA Cape Town SA (2023); Rites of Passage, Gagosian London (2023) and Windrush Portraits, John Hansard Gallery Southampton 2023. 

Gary Sangster is an Australian curator whose career includes roles as an art educator, curator, writer, academic, and museum director in Australia, New Zealand, the USA, and the UK. Prior to relocating to the UK in 2015, his appointments include Chief Curator, National Art Gallery, Wellington, New Zealand; Curator, The New Museum, New York, USA; Director, Contemporary Museum, Baltimore, USA; Director, Cleveland Center for Contemporary Art, USA; Director, Headlands, San Francisco, USA; Director, Artspace, Sydney, Australia; and Dean and Director, Art Institute of Boston, Lesley University, USA.  He was Curator for the USA pavilions at the 8th Cairo Biennale and the 3rd Istanbul Biennale; and for the biennale-scale 2nd and 3rd Australian Perspecta, and The Decade Show, NYC. He has curated international touring exhibition projects by Mary Kelly, Kerry James Marshall, and Genevieve Cadieux, and commissioned new multi-museum projects by Isaac Julien, Dennis Adams, Joseph Kosuth, Lorna Simpson, Felix Gonzales Torres, Andres Serrano, Tatsuo Myajima, and Judith Barry. Ground-breaking indigenous projects include: Koori Art 84–Urban Aboriginal Art; Two Worlds Collide–The Meeting Points of Aboriginal and Western Culture; and A Certain Place–Landscape and Vision from Black and White Perspectives. Most recently, he was Interim Director of Arts Catalyst Centre for Art, Science & Technology, London; and was a Trustee of Arnolfini in Bristol as well as Bath Regional Capital. He is currently Co-Director of Drawing Projects UK and Honorary Research Fellow, University of Dundee. Recent curatorial projects include: UK Curator, Lines of Site / Kazi Izleri /Marques de Jaciment / Marcas di Yacimiento in Istanbul / Dundee / Barcelona / Aksaray; UK Curator, Mairéad McClean – HERE, Belfast; UK Executive Producer, Long Life – Merilyn Fairskye, Sydney; Curator/Producer, Think Tank: Tactics, Thinking Allowed – Connections, Concordia University, Montreal, Canada.

Jennifer Scott has been Director of Dulwich Picture Gallery since April 2017, with responsibility for the artistic vision, management, and strategic leadership of the world’s first purpose-built public art gallery. As Director of the Holburne Museum, Bath (2014-2017), she led a successful fundraising campaign for the acquisition of Arthur Atherley by Sir Thomas Lawrence. She championed the Holburne’s collection, leading to the re-attribution of Wedding Dance in the Open Air to Pieter Brueghel the Younger and Boy Blowing Bubbles to David Teniers the Younger. From 2004-2014 Jennifer was Curator of Paintings at Royal Collection Trust. She previously worked at the National Gallery, London and National Museums Liverpool. She has curated numerous exhibitions and published widely on Dutch and Flemish painting. Recent projects include Rubens & Women (Dulwich Picture Gallery, 2023), Rembrandt’s Light (Dulwich Picture Gallery, 2019), Bruegel: Defining a Dynasty (The Holburne Museum, 2017); Impressionism: Capturing Life (The Holburne Museum, 2016); Dutch Landscapes (The Queen’s Gallery, Edinburgh and London, and The Bowes Museum, 2010-2012), and Bruegel to Rubens: Masters of Flemish Painting (The Queen’s Gallery Edinburgh, London, and The Royal Museum of Fine Arts, Brussels, 2007-2009). She wrote the first survey of state portraiture from within the British Royal Collection, The Royal Portrait: Image and Impact (2010). Jennifer received her BA and MA in History of Art from the Courtauld Institute of Art, London. She is Chair of the AFC Wimbledon Foundation, Governor of Alleyn’s School, Committee Member of The Treasure House Fair, Fellow of the Society of Antiquaries, and Fellow Commoner of Lucy Cavendish College, University of Cambridge.

Key Dates for the Call for Entries:
8 March 2024:                    Call for Entries Opens
12 June 2024:                    Last day for Registration of Entries
19 June-12 July 2024: Submission of Drawings to Collection Centres (details here)
19 July 2024:                      Announcement of Shortlisted Drawings for Entrants
21 July onwards:              Return of Unselected Works to Collection Centres

Key Dates for the Exhibition & Awards:
2 October 2024:         Exhibition & Publication Launch & Awards Announcement
3 October 2024:         Exhibition open to the public at Trinity Buoy Wharf, London
3 October 2024:         Drawing Symposium at Trinity Buoy Wharf
16 October 2024:      Exhibition closes at Trinity Buoy Wharf
October-July 2025:  Exhibition tours to multiple venues

Please note that the Trinity Buoy Wharf Working Drawing Award has a separate Call for Entries and Selection Process that will be launched later in March 2024.

#TBWDP24
 
For press enquiries, please contact Marine Costello at Parker Harris. 
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T: 020 3653 0891 

For all other enquiries, please contact Parker Harris.
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After the presentation of the Trinity Buoy Wharf Drawing Prize 2023 at Trinity Buoy Wharf in London, the exhibition will embark on a nationwide tour until September 2024. Tour venues include:

- TheGallery at Arts University Bournemouth, 2 February to 16 April 2024;

- The Arts Institute, Plymouth University, 4 May to 29 June 2024;

- Turnpike, Wigan, 13 July to 14 September 2024.

A fully illustrated publication, education pack and engagement programmes accompany the exhibition and tour. A documentary film of the exhibition will be launched in January 2024 at Drawing Projects UK. 

Supported by the Trinity Buoy Wharf Trust, the Trinity Buoy Wharf Drawing Prize is regarded as the foremost open exhibition dedicated to drawing in the United Kingdom. 

The 102 drawings included in the Trinity Buoy Wharf Drawing Prize 2023 were selected by Laura Hoptman, Executive Director of The Drawing Center, New York; Dennis Scholl AM, Collector & Arts Patron; and Barbara Walker MBE RA, Artist. The 102 drawings shortlisted for Trinity Buoy Wharf Drawing Prize 2023 are by:
 
Samuel Owusu Achiaw / Margrét Adolfsdóttir / Elisa Alaluusua / Judith Alder / Thomas Allen / Iain Andrews / Judith Anketell / Brigitte Bailey / Andy Bannister / Matt Bannister / Amélie Barnathan / Jeanette Barnes / Adrian Baynes / Cai Arfon Bellis  / Akash Bhatt / Peter Blodau / Kirsty Bogle / Jesús Briceño Reyes / Ann Bridges / Caroline Burraway / Ian Chamberlain / Dongwei (Shirley) Chen / Jade Chorkularb / Gary Clough / Anthony Connolly / Hannah Davies / Matthew Draper / Nisha Duggal / Sarah Duyshart / Roy Eastland / Linda Fardoe / Katy Fiszman / Edo Fuijkschot / Stefan Gant / Joy Gerrard / Diane Goring / Nick Grellier / Elaine Griffin / Susie Hamilton / Georgia Kitty Harris / Harriet Mena Hill / Fiona Hingston / Ben Johnson / Sharon Kelly / Simon Klein / Sarah Knill-Jones / Jane Laborie / Gary Lawrence / Debbie Lee / Bridget Lesly / Melissa Ling / Saloni Lodha / Derek Lomas / Emily Lucas / Richard Maguire / Tanaka Mazivanhanga / Nicolette McGuire / Victoria Hunter McKenzie / Grace McMurray / Richard McVetis / June Nelson / Rufus Newell / Tony Noble / Simon Page / Alex Pascual / Raksha Patel / Anna Plavinskaya / Julia Polonski / Sandra Porter / James Pyman / Richard Mark Rawlins / Maaike Reimert / Giulia Ricci / Isabel Rock / Nicki Rolls / Sara Rossberg / Heike Scharrer / Gail Seres-Woolfson / Mark Shields / Katy Shepherd / Karen Smith / Lisa Solovieva / Nancy Spain / Robert Strange / Fiona Swapp / David Symonds / Gabriela Vargas Telaya / Richa Vora / Kate Walters / Emmy Wan / Aleksandra Warchol / Louise Ward / Teresa Whitfield / Hannah Winkelbauer / Caroline Wong / Avis Wu
 
The 22 drawings shortlisted for the Working Drawing Award 2023 were selected by Ben Heath, Principal, Grimshaw Architects; Debbie Hillyerd, Senior Director of Learning, Hauser & Wirth; and Michael Pavelka, Costume and Set Designer for Stage, Dance and Opera. The drawings are by:
 
Michael Becker / Daniele Catalli / Sara Choudhrey / Greg Creek / Agata di Masternak / Emma Douglas / Sarah Duyshart / Lisa-Marie Gibbs / Altea Grau Vidal / Nina Gross / Vladimir Guculak / Sandy Horsley / Ben Johnson / Joanna Leah / Emily Mc Gardle / Ade Olaosebiakn

For press enquiries, please contact Marine Costello at Parker Harris:
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T: 020 3653 0891
 
For all other enquiries, please contact Parker Harris:
E: This email address is being protected from spambots. You need JavaScript enabled to view it. 
T: 020 3653 0896.
 
For updates on the Trinity Buoy Wharf Drawing Prize, please follow:
X: @TBWDrawingPrize #TBWDP23
Instagram: @DrawingProjectsUK
 

During the Trinity Buoy Wharf Drawing Prize 2023 exhibition at Trinity Buoy Wharf in London there are a number of in-person events:

30th September 2023, 2pm to 4pm: Drawing Session with Elisa Alaluusua at Trinity Buoy Wharf
On Saturday 30 September award-winning artist, Elisa Alaluusua, will lead a practical drawing session at Trinity Buoy Wharf in London as part of the programme of events accompanying the Trinity Buoy Wharf Drawing Prize 2023. Elisa Alaluusua has two drawings included in the 2023 exhibition - Two Months Apart, 2023, Video Drawing and Great-Grandmother’s Little Dress with a Collar, 2021-2023, Graphite on handmade paper - and was the First Prize winner of Trinity Buoy Wharf Drawing Prize 2022.

Join Elisa to explore the drawings on show in the exhibition through drawing in the Buoy Store; the drawing materials for this session will be provided and are included in the ticket price. All levels of experience welcome to join this drawing session.

Elisa Alaluusua (b.1970 Rovaniemi, Finland) studied MA Art as Environment at Manchester Metropolitan University (1994-95); MA Art Education at University of Lapland (1991-99); and a PhD at Chelsea College of Arts, University of the Arts London (2009-16). Selected group exhibitions include: Aika ja Ajallisuus, Gallery Valo, Arktikum, Rovaniemi, Finland (2022); Jerwood Drawing Prize 2017 & 2015, Jerwood Space London and UK tour (2017-18 & 2015-16); Trinity Buoy Wharf Drawing Prize 2022, Trinity Buoy Wharf, London and UK tour (2022-23); Driven to Draw: 20th Century Drawings and Sketchbooks from the Royal Academy Collection, the Royal Academy of Arts, London (2011-12). Solo exhibitions include: Memory Nuclei, Gallery Duetto, Helsinki, Finland (2022); Sketchbooks – A Revelation, Art Space Gallery, London, UK (2018); Sketchbooks – An Obsession, Drawing Projects UK, Wiltshire (2017). Recent awards include: First Prize, Trinity Buoy Wharf Drawing Prize 2022; Second Prize, Jerwood Drawing Prize 2015. Elisa lives and works in London and Finnish Lapland.BOOK HERE

8th October 2023, 2pm to 4pm: Drawing Session with Jeanette Barnes at Trinity Buoy Wharf
Join artist Jeanette Barnes for this practical drawing session at Trinity Buoy Wharf alongside the Trinity Buoy Wharf Drawing Prize 2023.
On Sunday 8 October at 2pm, award-winning artist, Jeanette Barnes, will lead a practical Drawing Session at Trinity Buoy Wharf in London as part of the programme of events accompanying the Trinity Buoy Wharf Drawing Prize 2023.

Jeanette Barnes' large drawing, New Battersea Tube Station & Developments, 2023, made with compressed charcoal on paper, is included in the 2023 exhibition. Jeanette won the Working Drawing Award in 2019 and Second Prize in the Jerwood Drawing Prize 2003.

Jeanette says of her drawing: "This work is not about one moment in time, but more a history of the development. On location, I gather information from multiple viewpoints to make the resulting studio drawing slightly uncomfortable. The sketches that fed this image were made over many years, the sense of that evolution had to be accommodated within the final drawing, statements suggested and erased many times over. As much as the work documents the site itself, it also uses the movement of people and the energy of construction as a metaphor for urban experience and change. The development of the drawing isn’t preconceived, it’s much more of a journey of discoveries and losses than a straight line from beginning to end. Buildings jostle and compete for attention and space, as they always have done and always will do. "

Join Jeanette to explore drawing Trinity Buoy Wharf inspired by drawings in the exhibition; the drawing materials for this session will be provided and are included in the ticket price. All levels of experience welcome to join this drawing session.

Jeanette Barnes (b.1961) Great Harwood, Lancashire, UK) studied BA Hons Fine Art, Liverpool Polytechnic (1980-83); Postgraduate Painting, Royal Academy Schools (1984-87); MA Printmaking, Royal College of Art (1987-89). Group exhibitions include: Royal Academy Summer Exhibition, London (2023, 2013, 2011, 2009, 2007); Wren300, Guildhall, London (2023); Bainbridge Print Open (2023 ); Trinity Buoy Wharf Drawing Prize 2022, 2020, 2019, London & tours (2022-23, 2020-21, 2019-20); Woolwich Contemporary Print (2023, 2021, 2020); Creative Debuts, Adidas Flagship Store, London (2022); Moving Cities, Anise Gallery, London (2022); Drawn to Carbon, Graham Hunter Gallery, London (2020); ING Discerning Eye, online (2020); National Print Exhibition, Bankside, London (2019); Lynn Painter Stainers Exhibition, Mall Galleries, London (2019, 2016, 2015, 2014, 2013). Solo exhibitions: Urban Journeys, Felix & Spear London (2019); Docklands Diary, Clifford Chance, London (2018); Metropolis, Felix & Spear, London (2018); Urban Connections, Broadgate Tower London (2016); Sense of Place, Sewell Centre, Radley College (2016); Time & Tide, Anise Gallery, London (2015); Site Specific, Spitalfields Gallery, London (2015). Awards: Hugh Casson Drawing Award, Royal Academy Summer Exhibition (2013); Second Prize, Lynn Painter Stainers (2019); Working Drawing Award, Trinity Buoy Wharf Drawing Prize 2019; Second Prize, Jerwood Drawing Prize 2003. She lives and works in London in the UK. BOOK HERE

14th October 2023, 10.30am: Trinity Buoy Wharf Drawing Prize 2023-an introduction with Director, Anita Taylor
Join us for an introduction to the Trinity Buoy Wharf Drawing Prize 2023 exhibition with founding director, Professor Anita Taylor.
On Saturday 14 October at 10.30am, join Professor Anita Taylor, the founding Director of the Trinity Buoy Wharf Drawing Prize, for this special introduction to the Trinity Buoy Wharf Drawing Prize 2023 exhibition at Trinity Buoy Wharf in London.

Professor Anita Taylor studied at Mid-Cheshire College of Art, Gloucestershire College of Art & Technology, and the Royal College of Art. She was Artist-in-Residence at Durham Cathedral [1987-88]; Cheltenham Fellow in Painting [1988-89]; Artist-in-Residence with the NSW National Parks and Wildlife Service with the National Art School in Sydney [2004]. Recent solo exhibitions include: Witness, Young Gallery, Salisbury [2018]; DRAWN, The Customs House, South Shields [2017]; William Wright Artists Projects, Sydney [2014]; The Drawing Room, Sydney [2011]; Peter Pinson Gallery, Sydney [2009]; The Drawing Gallery [2009, 2004]. Recent group shows include Kazı İzleri / Lines of Site in Istanbul, touring to Dundee, Barcelona and Aksaray [2022], for which she made a series of large drawings in response to the Neolithic settlement of Aşıklı Höyük in Central Anatolia as part of an EU-funded project; inclusion in exhibitions of drawing at: The Global Centre for Drawing, Langford120, Melbourne [2018, 2013, 2011]; Jerwood Gallery, Hastings [2016, 2014]; Victoria & Albert Museum [2009]; Tate Britain (2006-07). Awards include the Malvern Award for Drawing [1993]; Drawing Award, Hunting Art Prize [1999]; First Prize, Hunting Art Prize [2000].

Currently Dean of Duncan of Jordanstone College of Art & Design at the University of Dundee, her previous academic roles include: Executive Dean of Bath School of Art and Design at Bath Spa University [2013-19]; Director & Chief Executive Officer of the National Art School, Sydney, Australia [2009-13]; Dean, Wimbledon College of Art & Director, The Centre for Drawing, University of the Arts London [2006-09]; Vice Principal of Wimbledon School of Art [2004-06]. She was first awarded a Personal Chair/Professorial title in 2002 at the University of Gloucestershire, where she was initially appointed as Head of Painting in 1991. She is founding Director of the annual Trinity Buoy Wharf Drawing Prize exhibition since 1994 (known as Jerwood Drawing Prize from 2001-17); and established Drawing Projects UK in 2009 to develop and promote research initiatives in drawing, including the Jerwood Drawing Prize, and developed Drawing Projects UK as a physical Centre for Drawing and Contemporary Art in Wiltshire in 2015; a second Drawing Projects UK planned to open in Dundee, Scotland in 2024. BOOK HERE